The E.P was developed as a bi-product of experimenting with MAX/MSP to find and discover the right methodology for performing my material live utilising the software. The central idea was to programme algorithms that played back sinusiodal waves combined with guitar glitches and loops, to create a generative but ever evolving atmosphere. Each track initially was a live template curated from MAX with Audiomulch being used as an additional manipulation tool. With my arrangement and post production completed in LogicPro. Everything you hear throughout is guitar notes and sines!
released November 1, 2012
I would like to mention Benny Reibel for mastering the E.P and also Phil Armson for the art work. A special thanks goes to both of them for their professional input.